1929, Berkeley – ) wrote both poetry and prose. In her final months, she had been preparing the re-release of « Music and Poetry of the Kesh » with her musical collaborator Todd Barton and the record label Freedom To Spend. In 2018 Freedom To Spend reissued Music and Poetry of the Kesh on vinyl and in digital formats. Early editions of the book came with a cassette of “field recordings” and indigenous songs Music and Poetry of the Kesh was the result of the novelist’s work with composer Todd Barton to create an album of unheard language and sounds, for which Barton even built instruments to Le Guin’s design, including a seven-foot horn, the Houmbúta and a bone reed flute. The story of a future tribe of indigenous people living 500 years from now, was told by Le Guin in her book Always Coming Home – a mix of first-person-narrative, poems, recipes, illustrations of instruments, a glossary of terms and hand-drawn maps.
Music and Poetry of the Kesh is the documentation of an invented Pacific Coast peoples from a far distant time, and the soundtrack of science fiction author, Ursula K. Long Grove, IL: Waveland Press.« A long, long time from now, in the valleys of what will no longer be called Northern California, might be going to have lived a people called the Kesh » Demand the Impossible: Science Fiction and the Utopian Imagination. Always Coming Home (Author’s Expanded Edition). In Finding My Elegy: New and Selected Poems, 145. Navna: The River-running, by Intrumo of Sinshan.
Illustrated by Charles Vess, New York: Saga Press, 2018. Reprinted in The Books of Earthsea: The Complete Illustrated Edition. In Dancing at the Edge of the World: Thoughts on Words, Women, Places, 138–141. Chicago: The University of Chicago Press. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Staying with the Trouble: Making Kin in the Chthulucene. Urbana, IL: University of Illinois Press.
Margaret Atwood Says She Doesn’t Write Science Fiction, Ursula K.
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